In the quiet village of Oxford, Ohio, there lived for 30 years a modest, unassuming man who was also one of America's foremost composers. In 1910, Edgar Stillman Kelley was already enjoying a distinguished career in the U.S. and abroad when his wife, Jessie, accepted a position as director of piano music at Western College for Women. Kelley was given a fellowship, which would allow him the freedom to concentrate on his composition, and he thereby became the first creative artist-in-residence at an American college or university. It was here that Kelley wrote his first book, Chopin the Composer, published in 1913, and composed two of his finest works, the New England Symphony and the oratorio Pilgrim's Progress.
Edgar Stillman Kelley is recognized as the quintessential American composer of the early 20th century. Widely regarded also as a pianist, conductor, scholar, teacher, lecturer and author, he produced music that captured the hearts and minds of audiences and music critics. Kelley endeavored to express in his music all that is true and fine in classical music traditions - but with a spirit of adventure and enterprise, as well.
His ancestors came from England and settled in New England before 1650. Born April 14, 1857, he was surrounded by literature and music from the beginning. His mother, Mary Bingham Kelley, belonged to a musical family and was a skilled musician. It was she who gave young Edgar his first musical training.
Kelley's college career was interrupted by ill health. A talented artist and writer, he decided to devote his life to music upon hearing a performance of Mendelssohn's Midsummer Night's Dream. At 17, Kelley went to Chicago to study with Clarence Eddy and Napoleon Ledochowski, a disciple of Chopin. Two years later he moved to Stuttgart, Germany, where he studied organ, piano, and composition with Frederich Finck, Wilhelm Krüger, Wilhelm Speidel, and Max Seifriz.
Kelley graduated from the Stuttgart Conservatory in 1880 and performed widely in Europe with world-class orchestras. Returning to the U.S., he settled in San Francisco, went to work as a church organist, and wrote music reviews for the Examiner. National acclaim as a composer came with the orchestral score for a production of Macbeth. Kelley's love of Asian culture is evident in the brilliant Aladdin Suite. Both these pieces are still widely performed before American and European audiences.
Drawn to New York by his love of theater in 1886, Kelley renewed his friendship with young Jessie Gregg when she moved to Boston to study piano and voice. They were married on Jessie's 26th birthday, July 23, 1891, and returned to California for four more years of composing, conducting, lecturing and teaching. In 1896, it was back to Broadway, where Edgar conducted an operetta company and taught at the New York College of Music and New York University. In 1902, friends in Prague and Berlin persuaded them to come to Europe. Thus began an eight-year sojourn in Berlin, where Kelley was hailed as America's preeminent composer. Together the Kelleys lectured, taught, conducted and performed - greatly furthering the reputation of American music abroad. But increasingly Edgar longed to spend more time on his composition, and - with a little help from Western College for Women in bucolic Oxford, Ohio - Jessie found a way for him to do just that.
Edgar Stillman Kelley was beloved by the students and faculty at Western College and produced many of his best works here. The Kelleys lived busy lives in Oxford, dividing their time between Western and the Cincinnati Conservatory of Music, where "Dr. Kelley" taught composition and "Mrs. Kelley" lectured. After retirement in 1934, the couple continued to travel - conducting and performing Kelley's music for the world - but returning for a few months each year to the little studio cottage that had been built for them on the Western campus. Edgar Stillman Kelley died on November 12, 1944.