 |
|
Resources :
Bibliographies
Spiderwoman Theater
Published Plays
Panelists
Lectures
Interviews and Statements
Criticism
Reviews
Published Playes
- "Winnetou's Snake-Oil Show from Wigwam City." Playwrights
of Color. Ed. Meg Swanson with Robin Murray. Yarmouth, ME:
Intercultural Press, 1999. 69-105.
- "Power Pipes." Seventh Generation: An Anthology of Native
American Plays. Ed. Mimi Gisolfi D'Aponte. New York: Theatre
Communications Group, 1999. 149-200.
- "Sun, Moon, and Feather." Contemporary Plays by Women of
Color: An Anthology. Ed. Kathy A. Perkins and Roberto Uno. London:
Routledge, 1996. 299-309.
- "Winnetou's Snake-Oil Show from Wigwam City." Canadian
Theatre Review 68 (1991): 54-63.
- "Reverb-ber-ber-ations." Women and Performance 5.2
(1992): 184-212.
Panelists
- "Pioneer and First Generation Women Playwrights." In
International Women Playwrights: Voices of Identity and
Transformation. Proceedings of the First International Women
Playwrights Conference, October 18-23, 1988. Ed. Anna Kay France and P. J. Corso. Metuchen: Scarecrow, 1993. Pp. 15-25.
- "Myth, Legend and Ritual in Plays by Women." In
International Women Playwrights: Voices of Identity and
Transformation. Proceedings of the First International Women
Playwrights Conference, October 18-23, 1988. Ed. Anna Kay France and P. J. Corso. Metuchen: Scarecrow, 1993. Pp. 104-20.
- "Issues of Race and Class." In International Women
Playwrights: Voices of Identity and Transformation. Proceedings of
the
First International Women Playwrights Conference, October 18-23, 1988. Ed. Anna Kay France and P. J. Corso. Metuchen: Scarecrow, 1993. Pp. 172-88.
Go to Top
Lectures
- Gloria Miguel. "Plastic Shamans: New Age Feminism." Lecture, University of Illinois, October 2, 1996. Audiotape in NAWPA. Gift of Ann Haugo.
- Spiderwoman Theater. "Storyweaving: Storytelling, Oral Tradition, and Collecctive Creation." Lecture, University of Illinois, October 2, 1996. Audiotape. Gift of Ann Haugo to NAWPA.
- Interviews and Statements Mayo, Lisa, Gloria Miguel, and
Muriel Miguel. "Spiderwoman Theater and the Tapestry of Story."
Conducted by Larry Abbott. Canadian Journal of Native Studies 16,
no.
1 (1996): 165-180. Online: http://www.brandonu.ca/Library/CJNS/16.1/abbott.pdf.
- Muriel Miguel and Charlotte Canning. 26 April 1990. Seattle,
Washington, Group Theater owned apartment. (Used over several pages in
Charlotte Canning, Feminist Theaters in the U.S.A.: Staging Women's
Experience, London: Routledge, 1996.)
- "Spiderwoman Theater." Contemporary Plays by Women of
Color: An Anthology. Ed. Kathy A. Perkins and Roberto Uno. London:
Routledge, 1996. 297-98.
- Mayo, Lisa. "Secrets: A Conversation with Lisa Mayo of
Spiderwoman Theater." Conducted by Judy Burns and Jerri Hurlbutt.
Women and Performance 5.2 (1992): 166-83.
- Mayo, Lisa. Interview with Ann Haugo. Native Playwrights'
Newsletter 7 (1995): 86-91 and 8 (1995): 45-57.
Interviews and Statements
- Mayo, Lisa, Gloria Miguel, and Muriel Miguel. "Spiderwoman
Theater and the Tapestry of Story." Conducted by Larry Abbott.
Canadian
Journal of Native Studies 16, no. 1 (1996): 165-180. Online:
http://www.brandonu.ca/Library/CJNS/16.1/abbott.pdf.
- Muriel Miguel and Charlotte Canning. 26 April 1990. Seattle,
Washington, Group Theater owned apartment. (Used over several pages in
Charlotte Canning, Feminist Theaters in the U.S.A.: Staging Women's
Experience London: Routledge, 1996.)
- "Spiderwoman Theater." Contemporary Plays by Women of
Color: An Anthology. Ed. Kathy A. Perkins and Roberto Uno. London:
Routledge, 1996. 297-98.
- Mayo, Lisa. "Secrets: A Conversation with Lisa Mayo of
Spiderwoman Theater." Conducted by Judy Burns and Jerri Hurlbutt.
Women and Performance 5.2 (1992): 166-83.
- Mayo, Lisa. Interview with Ann Haugo. Native Playwrights'
Newsletter 7 (1995): 86-91 and 8 (1995): 45-57.
Go to Top
Criticism
- Acting Out: Feminist Performances. Ed. Lynda Hart and
Peggy Phelan. Ann Arbor: U of Michigan P, 1993.
- Canning, Charlotte. Feminist Theaters in the U.S.A.:
Staging Women's Experience. London: Routledge, 1996. Significant
treatment of ST; see esp. pp. 93-99.
- Canning, Charlotte. Review of Acting Out: Feminist
Performances, edited by Lynda Hart and Peggy Phelan. TDR 39.4
(1995): 200-201.
- Case, Sue-Ellen. Feminism and Theatre. New York:
Methuen, 1988.
- Cody, Gabrielle. "Ngarnna Taikunrra in the Land of the
Dreamtime. The 3rd International Women Playwrights Conference, 3-10 July
1994, Adelaide, Australia." TDR 39.1 (1995): 62-74. See pp.
66-67.
- Contemporary Plays by Women of Color. Ed. Kathy A.
Perkins
and Roberto Uno. New York: Routledge, 1996.
- Crimmins, Sandy. "Spiderwoman Theater: A Stage Manager's Notes."
American Writing: A Magazine no. 13 (1996): 43-50. Crimmins
worked
with
Spiderwoman Theater in their early years and then again in the mid-1990s.
- Diner, Robyn. "Not-so-Exotic Indians: Irony, Identity and Memory in
Spiderwoman's Spectacles." Thirdspace 1, no. 2 (2002).
Accessed March 18, 2005. http://www.thirdspace.ca/articles/diner.htm.
- Dolan, Jill. The Feminist Spectator as Critic. Ann
Arbor:
UMI Research Press, 1988.
- Gould, Charlene Jeanette Burton. "Feminist Theatre for Working-Class Audiences in the United States." Dissertation, University of Kansas, 1995.
- Hayes, Jacqueline Genevieve. "Representations of Utopia: The Politics of Women's Group Theatres, 1969-1992." Dissertation, New York University, 1994.
- Martin, Kallen. "Spiderwoman Theatre." Akwesasne
Notes ns. 1, no. 3-4 (1995): 133-36.
- Parnes, Uzi. "Pop Performance, Four Seminal Influences: The Work of Jack Smith, Tom Murrin--The Alien Comic, Ethyl Eichelberger, and the Split Britches Company (New York)." Dissertation, New York University, 1988.
- Schneider, Rebecca. "See the Big Show: Spiderwoman Theater
Doubling Back." In Acting Out: Feminist Performances. Eds. Lynda
Hart
and Peggy Phelan. Ann Arbor: University of Michigan Press, 1993, pp. 227-55.
- Wolper, Andrea. "Women And Theatre: The Companies They
Keep." Back Stage 26 April-2 May, 1996: 24-28.
- "Women's Theatre Companies." Back Stage 26 April-2
May, 1996: 29-30.
- Young, Katherine L. "Disruptive Laughter: Spiderwoman Theater and
the Power of Humor." M.A. report, University of Texas at Austin,
2005.>
Reviews
- Grilikes, Alexandra. "Spiderwoman's Changing Face: A
Performance Review." American Writing: A Magazine no. 13 (1996):
51-53.
Reprinted from After Dark (Philadelphia) Nov. 25, 1992.
- Clark, Laurie Beth. Review of Power Pipes, by Spiderwoman
Theater. High Performance 57 (1992): 56.
- Dolan, Jill. Review of Winnetou's Snake-Oil Show from Wigwam
City, by Spiderwoman Theater. Theatre Journal 42 (1990):
364-65.
- Solomon, Alisa. "Tangled Web." Village Voice 19 March
1985. [Cited in Canning]
- Nicholls, Jill. Review of Spider Woman Theater Company.
Spare Rib, n.d. [Cited in Canning]
- Kotschenreuther, Hellmut, "Lysistratissima!"
Tagesspiegel 31 October 1982. [Cited in Canning]
- Neff, Renreu. "Spiderwoman Theater." Other Stages 5
(May 1983): ? [Cited in Canning]
- Scott, Adrienne, and Sophia Mirviss. "The Incredible
Spiderwoman." Womannews April 1980: ? [Cited in Canning]
- Outlaw, Marpessa Dawn. "Cameos. Power Pipes." [?] Village
Voice 3 Nov. 1992: 114.
Go to Top |
Directory Resources
Contact Us
 |