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Resources
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Bibliographies
Native American Theater
Basic Bibliography
Books
Articles and Chapters in Books
Papers
Dissertations and Theses
Basic Bibliography
- Haugo Ann. "Contemporary Native Theater:
Bibliography and Resource Materials." In American Indian Theater
in Performance: A Reader. Ed. Hanay Geiogamah and Jaye T.
Darby. Los Angeles: UCLA American Indian Studies Center, 2000. 367-90.
- Dawes, Birgit. Native North American Theater in a Global
Age: Sites of Identity Construction and Transdifference. Heidelberg:
Universitatsverlag Winter, 2007. 391-470.
- See also issues of Canadian Theatre Review and
Native
Playwrights' Newsletter.
Books
- Brask, Per, and William Morgan, eds. Aboriginal Voices:
Amerindian, Inuit, and Sami Theater. Baltimore: Johns Hopkins UP,
1992.
- Dawes, Birgit. Native North American Theater in a Global
Age: Sites of Identity Construction and Transdifference. Heidelberg:
Universitatsverlag Winter, 2007.
- Geiogamah, Hanay, and Jaye T. Darby, eds. American Indian
Theater in Performance: A Reader. Los Angeles: UCLA American Indian
Studies Center, 2000.
Articles and Chapters in Books
- Abbott, Larry. "Spiderwoman Theater and the Tapestry of
Story." Canadian Journal of Native Studies 16 (1996):
165-80.
- Appleford, Robert. "Making Relations Visible in Native Canadian
Performance." Siting
the Other: Re-visions of Marginality in Australian and English-Canadian
Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E.
Peter Lang, 2001. 233-46.
- D'Aponte, Mimi Gisolfi. "Native Women Playwrights: Transmitters,
Healers, Transformers." Journal of Dramatic Theory and
Criticism 14 (1999): 99-108.
- De Veaux, Masani Alexis, Kathleen Betsko, Hortensia Colorado, Vira
Colorado, Vira Eva Johnson, Rosie Logan, and Spiderwoman Theater.
"Issues of Race and Class." International Women Playwrights: Voices
of Identity and Transformation. Ed. Anna Kay France and P. J. Corso.
Proc. of the First Internat. Women Playwrights Conf., Oct.
18-23, 1988. Metuchen, NJ: Scarecrow, 1993. 173-88.
- Dickerson, Glenda, Barbara Graber, Dorothy Hewett, Nicole
Mace, Tess Onwueme, and Spiderwoman Theater. "Myth, Legend and Ritual in
Plays by Women." International Women Playwrights: Voices of Identity and TransformationM. Ed. Anna Kay France and P. J. Corso. Proc. of the First Internat. Women Playwrights Conf., Oct. 18-23, 1988. Metuchen, NJ: Scarecrow, 1993. 105-20.
- Geiogamah, Hanay L. "The New Native Ameircan Theater." In
Dictionary of Native American Literature, ed. Andrew Wiget. New
York: Garland, 1994. 377-81.
- Gilbert, Reid. "Marie Clements's The Unnatural and Accidental
Woman: 'Denaturalizing' Genre." Theatre Research in
Canada/Recherches Theatrales au Canada 24, no. 1-2 (2003): 125-46.
- Glaap, Albert-Reiner. "Drew Hayden Talyor's Dramatic Career."
Siting
the Other: Re-visions of Marginality in Australian and English-Canadian
Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E.
Peter Lang, 2001. 217-32.
- Glancy, Diane. "Further (Farther): Creating Dialogue to Talk about
Native American Plays." Journal of Dramatic Theory and Criticism
14 (1999): 127-30.
- Haugo, Ann. "American Indian Theatre." The Cambridge Companion to
Native American Literature. Cambridge: Cambridge University Press,
2005. 189-204.
- Haugo, Ann. "Colonial Audiences and Native Women's Theatre: Viewing
Spiderwoman Theater's Winnetou's Snake Oil Show from Wigwam
City." Journal of Dramatic Theory and Criticism 14 (1999): 131-41.
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- Haugo, Ann. "Negotiating Hybridity: Native Women's Performance As
Cultural Persistence." Women and Performance no. 14-15, v. 7, no.
2; v. 8, no. 1 (1995): 125-41.
- Howard, Rebecca. "The Native American Women Playwrights Archive:
Adding Voices." Journal of Dramatic Theory and Criticism 14
(1999): 109-16.
- Howe, LeAnne. "Tribalography: The Power of Native Stories."
Journal of Dramatic Theory and Criticism 14 (1999): 117-25.
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- King-Odjig, Alanis. "To Keep the Seventh Fire Lit: Script
Development at De-Ba-Jeh-Mu-Jig." Canadian Theatre Review 87
(1996): 17-18.
- King, Thomas. "Native Literature of Canada." In Dictionary of
Native American Literature, ed. Andrew Wiget. New York: Garland,
1994. 353-69.
- Knowles, Ric. "Translators, Traitors, Mistresses, and Whores:
Monique Mojica and the Mothers of the Metis Nations." Siting
the Other: Re-visions of Marginality in Australian and English-Canadian
Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E.
Peter Lang, 2001. 247-66.
- Mattos, Justina T. "Stereotypes and Racial Relations in Hawaii's
Contemporary Indigenous Drama." Native Playwrights' Newsletter
no. 10 (1996): 18-30.
- Mattos, Justina T. "Kumu Kahua Theatre: The First Ten Years."
Native Playwrights' Newsletter no. 10 (1996): 30-47.
- Maufort, Marc. "Forging and 'Aboriginal Realism': First Nations
Playwriting in
Australia and Canada." Siting
the Other: Re-visions of Marginality in Australian and English-Canadian
Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E.
Peter Lang, 2001. 7-22.
- Myers, Robert. "Mayan Indian Women Find Their Place Is on the
Stage." New York Times 28 Sept. 1997: Arts &
Entertainment, pp. 4, 12.
- Oliva, Judy Lee. "Te Ata--A Chickasa Indian Performer: From
Broadway to Back Home." Theatre History Studies 15 (1995):
3-26.
- Schaefer, Henning. "A Celebration of Impurity? Syncretism and
Hybridity in Native Canadian Theatre." Textual Studies in Canada
17 (2004). 79-96.
- Stanlake, Christy. "Blending Time: Dramatic Conventions in Yvette
Nolan's Annie Mae's Movement." Journal of Dramatic Theory and
Criticism 14 (1999): 143-49.
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- Turcotte, Gerry. "Collaborating with Ghosts: Dis/possession in
The Book of Jessica and The Mudrooroo/Muller
Project."Siting
the Other: Re-visions of Marginality in Australian and English-Canadian
Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E.
Peter Lang, 2001. 175-92.
- Yellow Robe, William S., Jr. "Speaking with Yellow Robe."
Frank: An International Journal of Contemporary Writing and Art,
no. 16/17 (1999): 101-04.
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Papers
- Underiner, Tamara. "The Man from Rabinal, the Man from Bourgourg: How the Only (Extant) Indigenous Mayan Dramatic Text Entered 'Western' Discourse." 1994 ATHE Conference: Native Theatre Panels. July 30, 1994, Chicago.
- Krasner, David. "Between Story and Discourse: The Trickster Figure in Native American Drama." 1994 ATHE Conference: Native Theatre Panels. July 30, 1994, Chicago.
Dissertations and Theses
- Anderson, Brenda Jean. "The North American Indian in Theatre and Drama from 1605 to 1970." DAI. Diss., Univ. of Illinois, 1978.
- Appleford, Robert. "The Indian 'Act': Postmodern Perspectives on Native Canadian Theatre." DAI. Diss., Univ. of Toronto, 2002.
- Bannister, Denee Jaggers. "Native American Dance: A Synergy of Dance, Drama and Religion." [Hopi, Lakota, Tiwa Pueblo, Cherokee] DAI. Thesis, Univ. of Louisville, 2000.
- Arndt, Grant Paul. "No Middle Ground: Ho-Chunk Powwows and the Production of Social Space in Native Wisconsin." DAI. Diss., Univ. of Chicago, 2004.
- Berube, David Michael. "The Lakotan Ghost Dance of 1890: A Historiocritical Performance Analysis." DAI. Diss., New York Univ., 1990.
- Brydon, Sherry. "Hiawatha Meets the Gitche Gumee Indians: The Visualization of Indians in Turn of the Century Hiawatha Plays." DAI. Thesis, Carleton Univ., 1993.
- Cox, Paul Ronald. "The Characterization of the American Indian in American Indian Plays 1800-1860 As a Reflection of the American Romantic Movement." DAI. Diss., New York Univ., 1970.
- Cunningham, Shawna Marie. "The Trickster in Transition: Tomson Highway's Theatrical Adaption of the Traditional Trickster Figure." DAI. Thesis, Univ. of Alberta, 1995.
- Darby, Jaye T. "Know the Stories of Our Way: Towards a Culturally Complex Arts Education, Using Theatre as a Case Illustration." Diss., UCLA, 1996.
- Doran, Gregory Killen. "Saying Good-Bye to Tonto: The Changing Representation of Natives in Canadian Drama." DAI. Thesis, Univ. of New Brunswick, 1995. [Tomson Highway, Drew Taylor, George Ryga, Gwen Pharis]
- Ellis, Lawrence Simmers. "Turtle Sang Himself Together: Themes of Cultural Survival in the Oral Traditions of the Florida Panhandle Creek Indians." DAI. Diss., Arizona State Univ., 2003.
- Ferrari, Pasquale. "Two Plays: 'Still Life in LA,' and 'Family Reunion in a Mirage.'" DAI. Diss., Univ. of Utah, 1984. [original plays]
- First Rider, Amethyst Beverly. "Sweet Grass Visions: The Combination of Trickster and Theatre for the Transmission of Culture." DAI. Thesis, Univ. of Calgary, 1994.
- Frank, Gene Roland. "The Relationship between Myth and Historical Fact in Writing Plays about the American West: Two Examples of Original Scripts." DAI. Diss., New York Univ., 2000.
- Fullerton, Mary Elizabeth. "Reception and Representation: The Western Vision of Native American Performance on the Northwest Coast." DAI. Diss. Univ. of Washington, 1986.
- Gould, Charlene Jeanette Burton. "Feminist Theatre for Working-Class Audiences in the United States." DAI. Diss., Univ. of Kansas, 1995. [Spiderwoman Theater]
- Grose, Burl Donal. "'Here Come the Indians': An Historical Study of the Representations of the Native American upon the North American Stage, 1809-1969." DAI. Diss. Univ. of Missouri, 1979.
- Gupta, Pallavi. "Stealing Horses: The Representation of Non-Natives in Native Canadian Literature." DAI. Diss., Dalhousie Univ., 2004.
- Gustafson, Antoinette McCloskey. "The Image of the West in American Popular Performance." DAI. Diss., New York Univ., 1988.
- Haugo, Ann M. "Staging Intervention: Native Women, Decolonization, and the American Theatre." DAI. Diss., Univ. of Illinois at Urbana-Champaign, 1999.
- Hearne, Joanna Megan. "'The Cross-Heart People': Indigenous Narratives, Cinema, and the Western." DAI., Diss., Univ. of Arizona, 2004.
- Heath, Sally Ann. "The Development of Native American Theater Companies in the Continental United States." DAI. Diss., Univ. of Colorado, Boulder, 1995.
- Jenkins, Linda Carol Walsh. "The Performances of Native Americans as American Theatre: Reconnaissance and Recommendations." DAI. Diss., Univ. of Minnesota, 1975.
- Joe, Joyce Brenda. "Ravens." DAI. MFA thesis, Univ. of British Columbia, 1990. [original play]
- Jones, Eugene H. "Native Americans as Shown on the Stage, 1753-1916." DAI. Diss. City Univ. of New York, 1984.
- Karter, M. Joshua. "The Dynamic between the Individual and the Community in Selected Native American Performances." DAI. Diss. New York Univ., 1979.
- Kennedy, Nancy Margaret. "Reconfiguring the Past: Challenging the Notion of a Definitive Native Female Identity in Two Plays." DAI. Thesis, Univ. of Guelph, 1993. [Monique Mojica and Maria Campbell Griffiths]
- Langlois, Karen Sally. "A Search for Significance. Mary Austin: The New York Years." DAI. Diss., Claremont Graduate Univ., 1987.
- Lee, Monica Lucia. "From the Chronicles to the Stage: Arauco in the Theatre of the Golden Age." DAI. Diss., Univ. of British Columbia, 1993.
- Leggatt, Judith. "Post-Colonial Tricksters: Cross-Cultural
Encounters in Caribbean Literature and First Nations Canadian
Literature." DAI. Diss., Queen's Univ. at Kingston, 1996.
- Loether, Christopher Paul. "Verbal Art Among the Western
Mono." DAI. Diss., Univ. of California, Los Angeles, 1991.
- Menagh, Harry Beresford Bateman. "An Investigation of Navaho Mimicry." Diss., Univ. of Denver, 1962.
- Mitchell, Richard William. "From Here to Modernity: Montage, Media, and the Composition of Theater." DAI. Diss., Univ. of Southwestern Louisiana, 1999.
- Mulvey, Kathleen A. "The Growth, Development, and Decline of the Popularity of American Indian Plays before the Civil War." DAI. Diss., New York Univ., 1978.
- May, Stephanie Anna. "Performances of Identity: Alabama-Coushatta Tourism, Powwows, and Everyday Life." DAI. Diss., Univ. of Texas at Austin, 2001.
- Nieuwenhuyse, Craig Francis. "Six-Guns on the Stage: Buffalo Bill Cody's First Celebration of the Conquest of the American Frontier." DAI. Diss., Univ. of California, Berkeley, 1981.
- Nutting, Stephanie Susan. "La representation de l'Indien dans le theatre quebecois du XXe siecle." DAI. Thesis, Queen's Univ. at Kingston, 1990.
- Parnes, Uzi. "Pop Performance, Four Seminal Influences: The Work of Jack Smith, Tom Murrin--The Alien Comic, Ethyl Eichelberger, and the Split Britches Company." DAI. Diss., New York Univ., 1988. [Spiderwoman Theater]
- Preston, Jennifer Carroll. "Tomson Highway: Dancing to the Tune of the Trickster." DAI. Thesis, Univ. of Guelph, 1990.
- Rathbun, Paul Roland. "American Indian Dramaturgy: Situating Native Presence on the American Stage." DAI. Diss., Univ. of Wisconsin, Madison, 1996. [Diane Glancy, William Yellow Robe, Hanay Geiogamah, Mark Medoff, Peter Shaffer, "Pocahontas"]
- Rebhorn, Matthew. "Pioneer Performances: Staging the Frontier, 1829-1893." DAI. Diss., Columbia Univ., 2004.
- Seidlitz, Lauri Shannon. "Native Theater for the Seventh Generation: On the Path to Cultural Healing." DAI. Thesis, Dalhousie Univ., 1994.
- Sivak, Nadine. "'Howwe gonna find my me?': Postcolonial Identities in Contemporary North American Drama and Film." [susan Lori Parks, Daniel David Moses, Midi Onodera, Julie Dash] DAI Diss., Univ. of Toronto, 2000.
- Smith, Ross D. "A Survey of Native American Serious Drama from 1900 to 1918." DAI. Diss., Univ. of Utah, 1952.
- Spresser, James Clarence. "Native American Trilogy." DAI. Diss. Southern Illinois Univ., 1989. [original plays]
- Stanlake, Christy Lee. "Mapping the Web of Native American
Dramaturgy." DAI. Diss., Ohio State Univ., 2002.
- Stanlake, Christy Lee. "Theatricalizing Power: A Performance Analysis of Selected Plays by Four Contemporary Native American Women Playwrights." Thesis, Univ. of Oklahoma, 1997. [Judy Lee Oliva, Diane Glancy, Marie Clements, and Yvette Nolan]
- Sullivan, Sharon L. "Drama by Contemporary Native American Women." DAI. Diss., Univ. of Kansas, 2004. [Geraldine Keams, Vera Manuel, Monique Mojica, Annette Arkeketa, and Marie Clements]
- Switzer, Marjorie Elizabeth. "The Development of Indian Plays on the American Stage with Special Reference to the Pocahontas Story." DAI. Thesis, Univ. of Chicago, 1929.
- Thompson, Ayanna Tene. "Depicting Race and Torture on the Early Modern Stage." DAI. Diss., Harvard Univ., 2001.
- Van Luven, Marlene A. D. Lynne. "Charting the Territory: A Study of Feminism in English-Canadian Drama from 1967-1991." DAI. Diss., Univ. of Alberta, 1991.
- Vassar, Andrew. "Forging a Native American Theatre: The Changing Form of the Plays of Hanay Geiogamah and Their Use of Ritual." Thesis, Univ. of Oklahoma, 1994.
- Vassar, Andrew. "Hanay Geiogamah, Kiowa-Delaware Playwright: A Critical Biography." DAI. Diss., Univ. of Arkansas, 2002.
- Wain, Jennifer Lynn. "The Playing the Middle: Where Literature Meets Performance in Tomson Highway's 'Rez' Plays." DAI. Thesis, Dalhousie Univ., 1993.
- Wescott, Brian Michael. "'Freed to be Something New': Native American Journeys in the Performing Arts." DAI. Diss., Yale Univ., 1993.
- Williams, Jerome. "El Teatro de Evangelizacion en Mexico Durante el Siglo XVI: Resena Historico-Literaria." DAI. Diss., Yale Univ., 1980.
- Young, Dale T. "Bridging the Gap: Drew Hayden Taylor, Native
Canadian Playwright in His Times." DAI. Diss., Bowling Green
State Univ., 2005.
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